Australian Cultural Identity

The Australian poet Bruce Dawe was one of the first Australian poets to recognise the average Australian as one who neither lives in the country or in the centre of a metropolis but in the middle screen suburbs that expand external from the cities. He writes for the great middle mass of Australian population about matters of social, political and cultural interests. Though Dawe is well aware of the sense of the ironic in city and suburban lifetime in Australia that not all is well in the average Australians life in suburbia.Bruce Dawe poems often vexations the average Australian raft in the suburbs confronting their everyday problems, he observes and records the sorrow and hardships of average people struggling to survive. Our cultural individuality even a stereotypical view of Australians is that were compendious, anti authority and we live in democratic society. Bruce Dawes views on Australian cultural identity are represented in Life Cycle Up The Wall and Homo Suburbiensi s. Life Cycle represents the proud and passionate nature of Australian people especially at sporting events.Life Cycle is obviously about Australian Rules Football and football teams supporters from when they are young to when they are old. Their faint- sorenessed passion for their club when they are young Carn, Carn they Cry feebly at first to when they are old and proud and passionate supporters. They are brought up from the set-back with football in their blood, when they play football and win they are praised and showered with glory but when they lose they are shunned by proud parents.Dawe is well aware of the excesses, the lunacies of the Australian Rules supporter but the poem is not attacking what might appear to be an Australian social evil. Dawe borrows many liturgical statework forcets to emphasise the passion of Australian Rules followers. They will not grow old as those from more Northern States grow old borrowed from Binyons To the Fallen links in with the patriotic A nzacs who fought against the betting odds with pridefulness and dignity. The football followers are patriotic about their team and the true followers support their team through thick and thin.On the football world race and ethnicity mean nothing it is forgotten, physical prowess and class of the player dictate peoples views on the player. You would love him or hate him depending on which team you followed. A strong image of an Australian society that is proud and passionate is represented in Life Cycle but sometimes this pride and passion is taken to seriously and it can ruin the sport and turn it into something of a social evil. Bruce Dawe in Life Cycle represents the football as a culture, a religion, onward of life for many Australian people.Sport in Australia is significantly more popular then in most places in the world as Bruce Dawe said when he commented on Life Cycle I think all Australians have something of a predisposition to treat sport as organism just a bit more rel igious than in other places. Just looking at the newspapers and its obvious that football dominates the sport surgical incision it is Australias national game an icon that only Australians know. Bruce Dawe recognises how significant sport in particular Australian Rules is to the average Australian it is away of life a culture.Chicken Smallhorn a former Fitzroy wingman that gained god like status among the Fitzroy followers for his exploits on the football field, Chicken Smallhorn return like maize-god in a thousand shapes, the dancers changing Like race and ethnicity religion is forgotten on the football field, all players and supporters have one religion or aim sort of to win the Grand Final and place their hands on the premiership trophy, the holy grail of football. Like a religion the supporters hope for salvation, whenever their team is losing and having a majestic season they hope their clubs season will change they remain optimistic.Having seen the six-foot recruit from Eagl ehawk their hope for salvation The true supporters remain through the slumps of their club they believe in their club it is their religion. The poem Homo Suburbiensis represents a classical suburban household set on a quarter-acre block with a flower garden and lawn in front and a vegetable garden with lawn at the back. Dawes view of Australian cultural identity is that where people live in the typical Australian suburbs where it is an egalitarian society which is laidback and laconic.The imagery suggests that Dawe is both celebrating suburbia, small-arm in some ways puts down the suburban householders dreams The rich smell of compost and rubbish. The space taken vastly by overcrowds dry land with drying plants represent the overcrowding of suburbia. His thoughts are lost escaping the pressures that comes with life. The traffic unescapable to his mind. Dawe shows a sympathetic look towards this person lost in a green confusion, as even in the retreat of his backyard he still cannot escape the lifestyle of suburbs.Though in comparison to a womans life in the suburbs it is significantly better. The public security, beauty of nature and freedom he encounters in is backyard allows him to relax in his middle class life. To be quotidian in Australia, whether in the suburbs or in the city, is the norm for men to hide their concerns and troubles. The image of green beauty, fertile and fecard backyard and the man admiring his backyard in middle class suburbia represents the laconic laidback attitude and the peace he encounters in his backyard.This is a good example of an ordinary life, as this particular person needs to escape the pressures, which highlight TIME, PAIN, LOVE, HATE, AGE, EMOTION, and laugh. All which are present and Dawe makes that aware of an ordinary Australian life. Being achieved in his back yard. Representative of a modest life but a life lived fully in suburbia. A clear image in Homo Suburbiensis is of your typical Australian bloke, who comes h ome after work and relaxes in his backyard as the sunsets. This is part of the Australian dream to come home after work do a nice family and relax in the outdoors in a peaceful backyard in suburbia.Bruce Dawe himself was once portrayed as an ordinary bloke with a difference, an Australian Ocker who believes in the simple things in life. Dawe maintains that there is one unending value in an unstable world where politics play a major role. The man is a suburban householder with an ordinary Australian life standing alone in his backyard on a quiet evening among his vegetables. Dawe understand the ordinary life of a man as when he was jr. he didnt hold a regular job and knocked around giving him a rich experience of the occupations of an ordinary man.He also understands the language of the parking lot man and writes in simple everyday language. The laconic wit of the ordinary working-man, backyard speech patterns combined with Dawes own flair for word play allowed him to create the ev eryday common Australian in such poems as Homo Suburbiensis. The typical male in suburbia is that of a middle class white Anglo-Saxon with piddling religious believes but most probably Christian backgrounds. Though this means little in suburbia where everyone is even in their backyard admiring the beauty and peace of Australia.While life is predominantly easy and peaceful for the male life can be significantly harder for women in suburbia. In Up the Wall the middle class homemaker life is illustrated as hard irritating work. Her isolation is emphasised in the second stanza with the repetition of she says this represents the vacuum in which her speech occurs. Her husband confusable to the male in Homo Suburbiensis is at work all day remains in his mannish world at home within the suburbs offers little help and pays little attention to his wife. There is little sense of community and support within the Australian suburbs.The male voice only appears in the last(a) couplet where th e final powerful appraisal is made of the poems content. The domestic life of the housewife after he has spoken the matter ends. This structure replicates the power of the masculine head of the household all be it in the one hundred sixtys but we still live in a patriarchal society. It also reveals the disjunction between the masculine and feminine worlds and how little he appreciates what his wife goes through each day. The presence of his fraud contrasts heavily with her aloneness.The Cultural identity for women and men varies men are laidback laconic ockers while women are middle class housewives without a job. The structure and form of Up the Wall allows us to sympathise with the housewifes life in the suburbs. Dawe uses the Shakespearean sonnet form ironically the readers expectations of the form as a portrayal of love are dismantled just as the readers assumption about marriage are overturned. The iambic pentameter is used to represent the restriction monotony and tension of a suburban housewife live in the 160s.It also challenges the readers expectations as we sympathise with her as she struggles through everyday while her anger and tension rises. other(a) poetic techniques such as caesura and enjambment are used also to represent the constant interruption to her day and the rising anger and tension she feels in her repetitious life in suburbia. She has little cultural identity just one of a middle class suburban housewife in 160s Australia. The average Australian living in the middle class suburbs that expands outward from the cities has a strong cultural identity.Dawe represent Australia as a suburban based country with strong links to sport while being laconic and laidback. Men enjoy a laconic lifestyle enjoying sport while women have a less enjoyable lifestyle suffering from the stress and tension of being a middle class housewife in suburbia. Bruce Dawe writes poems for these ordinary Australians about matters that interest them such as politica l, social and cultural concerns. Dawe celebrates aspects of urban and suburban life while also satirically criticising suburbia, where Dawe believes the heart of Australian cultural identity can be found, suburbia.